Respected Associated Press (AP) picture editor Horst Faas has passed away, aged 79.
Recognised as a fearless and unwavering war photographer, for more than half a century he influenced generations of photographers and unrelentingly carved new standards for covering war.
Even though I learnt of his name mere moments ago, I am compelled to pay tribute to him because he shaped my life, specifically, my perspective on life.
My father’s library consisted mostly of books on the Vietnam War. From a young age I had access to volumes on social injustices during war, dissertations on poor military strategy and, profoundly, book upon book containing haunting images of that sad war.
The most memorable images are known with the simplest of descriptions: Napalm Girl, Saigon Execution and ‘War is Hell’ Soldier. These photos are famous, renowned, vastly significant; they exist in the public consciousness because of Faas.
Having said that, whilst I thought they were universally known, in year 8 when I showed these images to my class during a presentation, the faces of my fellow early teenage students turned grey and their eyes bulged. They had not seen the photos before.
The impact was palpable; boys who were too cool for school or thrived on machismo gasped, put hand to mouth and looked away. A collective innocence was lost that day – one that I perhaps never had being the child of Vietnamese boat people.
Faas was chief of the AP in Saigon from the early ’60s to his departure in the mid ’70s. He commanded an army of photographers and demanded that they always ‘come back with good pictures’. His work in Vietnam garnered him a Pultizer (his first of two).
Wounded by a rocket-propelled grenade in ’67 he become desk bound but continued to work tirelessly to bring the war into people’s awareness. He mentored Nick Ut who took the photo of the Napalm Girl. He had the guts to push through Eddie Adams’ image of Saigon Execution.
Over 70 journalists lost their lives covering the Vietnam War and Faas almost bled to death in Bu Dop, yet, he survived to build a legacy that has changed the world. Indeed, few people leave this world having made so many marks.
‘War is Hell’ Solider is the Mona Lisa of modern times and is testament to Faas’ ability to arrest our attention instantly. Here is a beautiful young man, his eyes longingly look at us as if he is begging us for love and a chance to escape from the hateful weapon he must wield in his hands.
Faas and his team turned the tide on the Vietnam War. Technological advances in the way images could be captured and transmitted rapidly meant for the first time in history, the world was seeing war as it happened. It made many queasy and I dare say was the catalyst for mass protest against war.
Determination, courage and vision; the next time I raise my Canon I will pause for a moment to pay my respects to this great man. May his army forevermore wield the most powerful weapon in war; the camera – weapon of mass deconstruction.











Look Who’s Talking